Emery K. Tillman , 3D art shop manager

The Newcomb Art Department is pleased to introduce our newest team member, Emery K, Tillman, 3D art shop manager. 

Emery Kate Tillman (they/them), originally from New Orleans, holds a B.A in studio art from College of Charleston and an MFA in studio art from Louisiana State University. They consider themself a material investigator in their studio practice and have a heavy mixed media background with mediums spanning from textiles, glass, wood, metal as well as digital fabrication tools. 

In their practice they explore what queer joy looks like when joy is used as a form of rebellion and power. They play particular interests in interpersonal communications in this community and what the visual language of vulnerability looks like. They have shown throughout the country as well as in Thailand and the Czech Republic. They have a background in making spaces more accessible and look forward to continuing this work at Tulane.

Black Arts Consortium Graduate Working Group Workshop

On Friday, November 4, 2022, Tulane’s Studio Art graduate program welcomed scholars from Northwestern University’s Black Arts Consortium Graduate Working Group for a series of workshops/studio visits. Throughout the day, each of the participants (all of whom are working towards the completion of their dissertation/ thesis) were given the opportunity to briefly speak about their works in progress and receive diverse and affirming feedback from peers. 

This workshop was supported by the Katherine Steinmayer McLean Visiting Studio Artist Fund.

Anne Lafont: "Tying, publicizing, adorning: The buttons of Toussaint Louverture"

The Newcomb Art Department presents the 2022 Sandra Garrard Memorial Lecture

"Tying, publicizing, adorning: The buttons of Toussaint Louverture"

by Dr. Anne Lafont, École des hautes études en sciences sociales, Paris


Abstract The legend and reality of the 18 buttons kept at the Cooper-Hewitt Museum in New York force us to take a close look at their making in the latter part of the eighteenth century Caribbean and in the light of one of its most illustrious black personalities: Toussaint Louverture, pioneer of the Haitian revolution, emancipated slave, ally of the European powers, deposed prisoner and captured by Napoleon Bonaparte’s armies, who died in exile in a French dungeon. The function, iconography, medium and biographical fortune of this series of buttons inform an exceptional history where Caribbean, French and American figures intersect over two centuries. Unfolding the panoply of buttons and following their phenomenology, on a formal and social levels, from manufacture to use, is to write a piece of the history of art of the Black Atlantic.

Anne Lafont is an art historian and professor at the École des hautes études en sciences sociales in Paris. She is interested in the art, images, and material culture of the Black Atlantic, as well as in historiographical questions related to the notion of African art. She has published on art and knowledge in an imperial context, on gender issues in the art discourse of the 18th and 19th centuries, and more recently she published a book : L'art et la race. L'Africain (tout) contre l'oeil des Lumières. It was awarded the 2019 Fetkann Maryse Condé Literary Prize and the 2020 Vitale and Arnold Blokh Prize. Anne Lafont participated, as a member of the scientific committee, in the Musée d'Orsay exhibition The Black Model (2019). In 2021, she was awarded a residential fellowship from the cultural services of the French Embassy in the United States, the Villa Albertine, and served, for the academic year 2021-2022, as the Robert Sterling Clark Visiting Professor of Art History at Williams College (Massachusetts). Her most recent book : L'Afrique et le monde. Histoires renouées de la préhistoire au XXIe siècle (La découverte, 2022) is co-edited with François-Xavier Fauvelle.

Wednesday, December 7 2022 at 6:00 PM

Freeman Auditorium, Woldenberg Art Center
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This lecture is supported by the Sandra Garrard Memorial Fund.

Objects in Focus: Clothes by Betsy Packard, MFA 1978

Join us for this month’s Objects in Focus gallery talk, which will focus on work of Betsy Packard (MFA, 1978).
 

Friday, November 4, 12 pm

Newcomb Art Museum

This talk will be led by Alex Landry, Curatorial Assistant at the Newcomb Art Museum and a 2nd-year Art History MA student.

This event is free and open to all.