Tuesday, September 13, 2016

Kevin Jones' solo exhibition in Tokyo

Kevin H. Jones, Associate Professor of Digital Arts and Associate Chair of the Newcomb Art Department had his second solo exhibition in Tokyo, Japan at Art Lab Akiba during the month of August.  His exhibition titled Sleight Of Hand included custom electronic and interactive artworks that examined the instability of systems related to science, magic and chance.

Friday, September 2, 2016

Wiley Aker exhibits in New York, Greece, and South Korea

Wiley Aker, MFA candidate in Digital Arts, has three exhibitions opening in September. Aker’s work in video, sound, and new media explores the psychological landscapes that mediate reality in the post-internet world. The Governor's Island Art Fair in New York, New York (shown at left)  will be open every weekend in September. The RETHink Art Festival in Rethymno, Greece, the first digital art festival realized in Crete, will run from September 9th-12th. The exhibit "Artist and Location" at the CICA Museum in Gimpo, South Korea will be on view from September 23rd-October 9th. This exhibition explores the concepts of location, diaspora, and globalization. Aker's work can also be viewed at: vimeo.com/wileyaker.

Monday, August 22, 2016

Michelle Foa awarded a William L. Duren ’26 Professorship

Associate Professor Michelle Foa has been awarded a William L. Duren ’26 Professorship for the 2016-2017 academic year.  She will teach a new interdisciplinary seminar called “The Meaning of Materials” in the spring semester.

Professor Foa is returning from a year’s sabbatical leave, during which she carried out research for her current book on Edgar Degas.  Her research trips over the past year included meeting with curators and studying the collections and archives of the Norton Simon Museum in Pasadena, the Metropolitan Museum of Art and the Museum of Modern Art in New York, the Museum of Fine Arts in Boston, Harvard’s Fogg Museum in Cambridge, the Bibliothèque Nationale de France and the Musée d’Orsay in Paris, and the municipal archives in Nancy, France.  Prof. Foa was also a faculty member in Tulane’s 4-week Summer in Paris program.


Wednesday, August 17, 2016

Anton Schweizer authors book on Japanese “lacquered architecture”

Anton Schweizer, Professor of Practice and Director of Asian Studies at Tulane University, has authored a new book, Ōsaki Hachiman: Architecture, Materiality, and Samurai Power in Seventeenth-Century Japan.  Ōsaki Hachiman (1607), a Shintō shrine located in Sendai, Japan, is one of only a handful of surviving buildings from the Momoyama period (1568-1615). The shrine is a rare example of “lacquered architecture”—an architectural type characterized by a shiny, black coat made of refined tree sap and evocative of transitory splendor and cyclical renewal.

The building’s sponsor, the warlord Date Masamune, was one of the last independent feudal lords of his time and remains famous for dispatching a diplomatic mission to Mexico, Spain, and Rome. Although his ambitions to become a ruler of Northern Japan were frustrated, his shrine stands as a lasting testament to the political struggles he faced, his global aspirations, and the cultural cloak by which he sought to advance these objectives.

Ōsaki Hachiman: Architecture, Materiality, and Samurai Power in Seventeenth-Century Japan (Berlin: Dietrich Reimer, 2016) is available from the following booksellers:

(in the US) Michael Shamansky, Bookseller

(in Europe) Reimer

Wednesday, June 29, 2016

Jeffrey Stenbom receives Silver Academic award at Emerge 2016


Army veteran and Tulane alumnus Jeffrey Stenbom (MFA, Glass, 2015) received the Silver Academic award at Bullseye's ninth biennial exhibition, Emerge 2016.

Stenbom's sculpture of monumental kiln-cast glass dog tags titled, To Those Who Have, was first shown in his MFA exhibition at Tulane University's Carroll Gallery.

Christopher Gray (MFA candidate, 2017) was also named a finalist in the competition.

[photo courtesy of Pamela Price Klebaum]

Monday, June 6, 2016

Artist Perspective with AnnieLaurie Erickson

On Friday, June 10th Professor AnnieLaurie Erickson will present an Artist Perspective at the New Orleans Museum of Art in conjunction with Friday Nights at NOMA. 

Erickson will discuss her artistic practice involving the creation of alternative modes of photographic production. Reflecting on her own work as well as the work in the exhibition Vera Lutter: Inverted Worlds, Erickson will speak to a contemporary impetus to probe the medium of photography to disorienting and transformative ends. 

5-8 pm: Art on the Spot
5:30-8:30 pm: Music by G String Orchestra
6:30 pm: Artist Perspective with AnnieLaurie Erickson on Vera Lutter


https://noma.org/event/friday-nights-noma-14-2/

Wednesday, May 18, 2016

Erin McCutcheon awarded a Woodrow Wilson Dissertation Fellowship


Erin McCutcheon, PhD candidate in Art History/Latin American Studies has been awarded a Woodrow Wilson Dissertation Fellowship in Women’s StudiesThe fellowship supports the final year of dissertation writing for PhD candidates in the humanities and social sciences whose work addresses women’s and gendered issues in interdisciplinary and original ways. 
Ms. McCutcheon talks about the points of personal passion that have sustained her research:
I began my academic career at the age of 18 with aspirations of becoming a painter. Fortunately, I quickly realized I wasn’t going to hack it in that profession, yet my love for art endured. I had always been interested in art made by women, and was struck that in all of my undergraduate courses, women, and especially those from outside a Euro-American center, were absent from our discussions. Where they were included, their work was treated one-dimensionally, usually in terms of biographical details, and not given the critical analysis afforded to their male contemporaries. During this same time, I was in the middle of my own discovery of feminist theory, which gave me the vocabulary I desperately needed to voice my frustrations. I resolved to devote myself to not simply unearthing the histories of forgotten or overlooked women artists, but to forging new strategies of representation that might disrupt the structures and processes that kept these marginal histories from view.
To my amazement, roughly 15 years after beginning my academic journey, I remain on the same path. Not enough seems to have changed; however, it is encouraging to see more projects under way that resist repeating the mistakes of art history. Most recently, I was a part of one such project: the first retrospective exhibition of an artist at the center of my dissertation research, Mónica Mayer. The exhibition’s format resisted traditional tropes and mechanisms that have historically worked to exclude women artists, and instead functions as a “retrocollective.” This simple shift more accurately reflects Mayer’s own commitment to the feminist movement and numerous collaborations over the course of her career. The exhibition, “Si tiene dudas… pregunte: Una exposición retrocolectiva de Mónica Mayer” will run through July 2016 at the Museo Universitario de Arte Contemporáneo in Mexico City – a great reason to take a trip to Mexico this year!
Ms. McCutcheon’s dissertation title is Strategic Dispositions: Women, Art and Tradition in Mexico, 1975–1990.