Stephanie Porras awarded APS and CAA publication grants

Stephanie Porras is the recipient of the 2021 Publication Grant awarded by the Association of Print Scholars (APS in support of her forthcoming book, The First Viral Images: Maerten de Vos, Antwerp Print, and the Early Modern Globe.

The book, to be published by Penn State University Press, considers how a single engraving, the painting upon which it is based, and an illustrated book, traveled and functioned across the globe.  Porras cites examples of the engraving's influence as a model for Spanish and American painters, Chinese printmakers, and Filipino ivory carvers. She proposes that, more than a story of migrant artists and objects, this book reconsiders the role of images in the uneven processes of globalization, beyond the transmission of artistic styles, ornament, or iconographic motifs. The publication aims to test art historical notions of copying and agency, context, and viewership.

Dr. Porras also received a grant from the College Art Association's Millard Meiss Publication Fund, which supports book-length scholarly manuscripts in the history of art, visual studies, and related subjects that have been accepted by a publisher on their merits, but cannot be published in the most desirable form without a subsidy.

Stephanie Porras is Associate Professor of Art History at Tulane University. She is the author of Pieter Bruegel’s Historical Imagination (2016), Art of the Northern Renaissance: Courts, Commerce and Devotion (2018) and co-editor of The Young Dürer: Drawing the Figure (2013). She currently serves as Reviews Editor for The Art Bulletin and is on the editorial board of the Nederlands Kunsthistorisches Jaarboek. Her forthcoming book, The First Viral Images: Maerten de Vos, Antwerp Print, and the Early Modern Globe, considers how a single engraving, the painting upon which it is based, and an illustrated book, circled the globe in the sixteenth and seventeenth centuries.

New art history course: Theories of Baroque Art

 

Registration for Spring 2022 courses is now open! Prof. Leslie Geddes will be teaching a new history of art course, Theories of Baroque Art, on Thursdays at 3:30pm in the Woldenberg Art Center.

This seminar investigates innovations in artistic media, primarily painting, sculpture, and architecture, that can be described as Baroque in diverse locales, including its origins in Italy to its diffusion in the present day.   

How do we characterize the strange and fertile period of art production associated with the Baroque? What happened to art production following the High Renaissance? In the latter half of the sixteenth century and throughout the seventeenth century, there was an explosion of new approaches to art making in diverse geographies. This time coincides with cultural upheavals and religious wars in Europe, with scientific discovery and new geopolitical landscapes. The period known as the Baroque is a historical style characterization rife with misunderstandings. The name itself derives from a term used by Portuguese jewelers for deformed pearls (barrueco). How can we best understand this time of remarkable artistic production, its early and late critics, and how does understanding art help us make sense of the rapidly changing, expanding world of the Early Modern period? Register today!

Sites of Memory: New Orleans and Rio de Jainero

 

 

 

 

 

 

TULANE'S SAWYER SEMINAR PRESENTS

SITES OF MEMORY: 

NEW  ORLEANS + RIO DE JANEIRO

EXPLORING DISPLACEMENT AND URBAN RENEWAL IN TREMÉ AND VALONGO WHARF 

This series of events highlights community activism in New Orleans and Rio de Janeiro as ways to challenge disinvestment in Afro-descendent neighborhoods, raising questions about the tendency for these places to be subordinated to outward-facing urban “renewal”.

December 7 | 6 pm

Screening of "Faubourg Tremé: The Untold Story of Black New Orleans”

In Stone Auditorium, 210 Woldenberg Art Center

December 10 | 3:30 pm 

Panel Discussion with Dr. Lorraine Leu, Sara Zewde, Freddi Williams Evans, Luther Gray

3rd Floor Newcomb Commons

December 12 | afternoon

Tour of the Tremé

Starting at the New Orleans African American Museum 

Tulane University’s 2021/2022 Sawyer Seminar, "Sites of Memory: New Orleans and Place-Based Histories of the Americas" – organized by the Newcomb Art Department and School of Liberal Arts and sponsored by the Andrew W. Mellon Foundation – takes New Orleans as a key case study for a broader understanding of settler-colonial, formerly slavery-fueled economies in the Americas using the theme of site-based public history and memorialization. 

For more information and questions about accessibility, contact ctucker6@tulane.edu or go online to sitesofmemorynola.org

Scholars honored at Tulane's first Research, Scholarship and Artistic Achievement Awards ceremony 

The Office of Research held the first Tulane University Research, Scholarship and Artistic Achievement Awards on Thursday, Nov. 4, to honor outstanding Tulane scholars and recognize their exceptional research. Art History was well represented in the awards ceremony held at the Higgons Hotel in downtown New Orleans. 

Elizabeth Hill Boone was inducted into the Research Hall of Fame. Mia L. Bagneris received the Spirit of Tulane Award, which recognizes outstanding achievement of scholars whose work embodies Tulane’s motto, “Not for oneself, but for one’s own,” and enhances the university’s research mission. Prof. Bagneris and Adrian Anagnost received Funding Awards in recognition of their $225,000 grant from The Andrew W. Mellon Foundation to convene a year-long site-specific inquiry exploring changing historical narratives in New Orleans and the greater Gulf South region.

See Tulane News to read more about the ceremony and award reciepients. 

Ways of Looking – an invitation to thoughtful observation

The Carroll Gallery presents

Ways of Looking – an invitation to thoughtful observation 

The viewer is invited into the gallery space to experience art in a very conscious way. 

In the back galleries are two videos, with very different ways of communicating: Peach Body Summer by Ellen Bull presents a mysterious, open-ended narrative; The Thin Veil by Jane Cassidy provides an immersive sensory experience.   

 

The front gallery features a variety of selections from the Newcomb and Tulane Art Collections, with one area specifically featuring detailed work that benefits from closer viewing with a magnifying glass.  Another section of the gallery features works from those collections that have a story behind the artist that relates specifically to the Newcomb Art Department, and that context adds another layer of meaning to the work.  A third section of the gallery has three very different everyday objects on view for the visitor to observe carefully through the act of drawing.  Additionally, some resources on “slow looking” will be available to encourage visitors to thoughtfully engage with not only the artworks in galleries and museums, but also the visible world. 

 

Exhibition dates: November 8-24, 2022
Opening reception:  Sunday, November 7, 3 - 5 pm

For more information, contact Laura Richens (lrichens@tulane.edu).

 

[still from The Thin Veil by Jane Cassidy]

Award Winning Article

Prof. Michelle Foa’s article, “In Transit: Edgar Degas and the Matter of Cotton, between New World and Old,” The Art Bulletin 102, no. 3 (September 2020) was awarded the 2021 Article Prize by the Nineteenth-Century Studies Association.

Prof. Foa is currently at work on a book on Edgar Degas titled The Matter of Degas: Art and Materiality in Later Nineteenth-Century Paris, in which she analyzes the conceptual significance of the artist’s sustained experimentation with diverse media and techniques in the context of his investigation into the physical and material qualities of the world around him. 

[Edgar Degas, A Cotton Office in New Orleans, 1873, Musée des Beaux-Arts de Pau, France]

Barry Stone Bailey (1952-2021)

 

With heavy hearts we share the news that sculptor Barry Bailey died in New Orleans in the aftermath of Hurricane Ida, around September 1, 2021.  

 

Barry Stone Bailey was born on October 21, 1952, in High Point, North Carolina.  Bailey received his M.F.A. in sculpture from East Carolina University in 1978. His thesis exhibition was titled, "A Sculptural Response to Coastal Landscape and Environmental Space." In 1980 he came to New Orleans for the College Art Association Conference and never left. From 1980-1982 Bailey served as visual arts coordinator at the Contemporary Arts Center, New Orleans. He was one of founding members of A.J.A.C. Studio (Artists at Joliet and Cohn) with Mark Grote, Steve Klein, Gene Koss, Sandra Russell Clark, and others. Bailey served as supervisor for "Artworks '84" at the Louisiana World Exposition in New Orleans in 1984. 

 

In 1987 Bailey joined the studio art faculty at the Newcomb Art Department at Tulane University, first as visiting professor (1987-89), then assistant professor (1989-1993), and finally associate professor (1993-2010). Bailey also taught in the summer at the University of Georgia sculpture program at Cortona, Italy from 1992-1996.

 

Bailey is remembered for the many community iron pours, annual "River Day" events, and foundry shows in the Tulane studio and courtyard. In the sculpture community Bailey was known for his unique head furnaces for casting iron, themselves sculptures made of paper, clay, and sand. In 2002-2003 he exhibited in Italy and England, the only American exhibiting in the Canterbury Sculpture Festival, among a select group within the ruins of St. Augustine's Abbey. In 2004 he served as one of the local chairs for the International Sculpture Conference in New Orleans with John Scott. 

 

His students were exceptional and of them he was most proud. Distinguished alumni of the Tulane Sculpture program during his tenure include Zarouhie Abdalian, Joseph Burwell, Thor Carlson, Allison Collins,  Maysey Craddock, Joseph Hillier, Jonathan Hils, Erik Johnson, Loren Schwerd, Cynthia Scott, and Phoebe Washburn. On his birthday in 2016, he wrote, "Thanks one and all, for all the kind greetings and well wishes on my birthday. Though I never had children, I had students much more interesting and brilliant than myself. It has brought me great joy to see them grow into well-adjusted men and ladies. Bon chance, to all my FB friends and colleagues alike, around the world wherever you may be remembered, we are one and never the same, or ashamed to be who we truly are. Carry on, brothers and sisters, and as John Scott used to say, "PASS IT ON !" 

 

Gene Koss at Studio Waveland

This Saturday, Sept 25, 12- 2pm @studiowaveland 

ART + COFFEE Gallery talks with the ARTISTS, 

A very casual discussion & artists presentations with a few of the artists participating in our current #3DMISSISSIPPI Sculpture Exhibition.

John Barnes

Anita Cooke

Gene Koss

Erica Larkin Gaudet

Luba Zygarewicz

 

Gene Koss, Chapel, 2015, Cast glass and steel. @arthurrogergallery 

Studio Waveland,  228 Coleman Ave., Waveland, MS   www.studiowaveland.com

2021 Faculty Awards | SLA Dean's Office

Outstanding Faculty Research Award

Elizabeth Hill Boone

Since 1994, Elizabeth has served as the Martha and Donald Robertson Chair in Latin American Art. Author of six monographs, co-author of another two books, and editor or co-editor of fourteen other volumes, her work has been influential not only in art history, but in the related fields of history, anthropology and literary theory. In 2018, she was named the College Art Association’s Distinguished Scholar, the first Latin Americanist art historian to receive this honor since its founding in 2001. She was also the first Latin Americanist to hold the Andrew Mellon Professorship at the National Gallery of Art in 2006-8. In 2010 she was Professor invitée at the École Pratique de Hautes Etudes, at the Sorbonne. She is a member of the American Academy of Arts and Sciences and the Academia Mexicana de la Historia and recipient of the government of Mexico's Order of the Aztec Eagle for her contributions to Aztec scholarship. Her latest monograph book, Descendants of Aztec Pictography: The Cultural Encyclopedias of Sixteenth-Century Mexico (University of Texas Press, 2021), is the first synthetic analysis of the pictorial encyclopedias of Aztec culture created in the decades after the Spanish conquest. After 27 years at Tulane, Elizabeth is retiring at the end of this academic year. Her career at Tulane University has been extraordinary, to say the least, and we can think of no better tribute than to offer her the Research Award.

The April Brayfield Outstanding Faculty Teaching Award

Sean Fader

Since his arrival at Tulane in 2018, Sean has helped to rewrite curriculum in the photo area, separating darkroom and digital practices; he has also overhauled the digital and darkroom spaces, enhancing usability and access. His courses are always overenrolled and his teaching evaluations are superlative. Here are some examples of his student evaluations: “Sean is extremely supportive and knowledgeable about what he teaches. He makes material exciting, engaging, and relevant.“, and “He is Thanos with all the infinity stones.”

Art Chair Stephanie Porras says, “I would particularly like to praise Sean for making adjustments to his teaching this year – not only folding in the switch to hybrid teaching, but also readjusting all his syllabi to center BIPOC scholars and artists. By overhauling his syllabi in this way, Sean modelled what it means to decenter and question the artistic canon. He shared resources with other faculty in the department and encouraged all of us to revisit the readings and artists we use to teach the history, theory and practice of art.”

Art History Student Art Awards

The Newcomb Art Department is pleased to announce the recipients of the 2021 Art History Student Awards.

The Henry Stern Prize for Best Paper in Art History: Abigail McDade

Abby McDade wins the Henry Stern Prize for her paper, "Social Practice Art: The Role of Audience Encounter," which discusses works by California-based contemporary artist Suzanne Lacy and the Pittsburgh-based artist collective Conflict Kitchen. Abby examines how these artists' socially-engaged works attempt to grapple with structural violence, by promoting community-driven resilience through shared meals, community discussions, and civic actions, as well as exhibitions and traditional art objects. Abby's paper is notable for its innovative use of both art historical analysis and public health research by Kaiser Permanente and the Prevention Institute. Abby is graduating with a B.F.A. in printmaking, and will be moving to New York to continue developing her artistic practice.

 

The Marilyn Brown Award for Outstanding Art History Major: Lindsay Hardy

Lindsay receives this award for both her excellent performance in her art history classes, as well as her significant research and writing achievements in her honors thesis. Lindsay consistently contributes insightful comments to class discussions, and she has tackled some particularly challenging and ambitious research topics. Her honors thesis, “The Casa Group: Confronting Tradition and Modernism Through Art in Post Protectorate Morocco,” argues that the artists and teachers of the School of Fine Arts in Casablanca (the “Casa Group”) actively valorized Moroccan culture, and therefore Moroccan national identity, after the country gained independence from France in 1956. Her thesis is highly original and demonstrates Lindsay’s superb abilities as a researcher and writer.

 

The Nell Pomeroy O’Brien Award for a sophomore in Art History: Alessandra Fraim

Ali has performed exceptionally well in her art history courses thus far, proving herself to be an excellent writer, a valuable participant in class discussions, and a perceptive viewer of works of art.  But what stands out most about Ali is her admirable enthusiasm for learning and her eagerness to challenge herself.  I'm consistently impressed by these qualities in her, which make her a particular joy to work with.

The Nell Pomeroy O’Brien Award for a junior in Art History: Alex Landry

Alex is an extremely talented student who has performed at the very highest level in her art history courses. She combines a keen intelligence with a profound curiosity about the material, and she consistently makes tremendously astute comments in class, elevating any discussion that she is part of.  Alex is constantly pushing herself to delve deeper into the material and to take on important questions, engaging with whatever topic is at hand in a remarkably sophisticated way.  It's been a great pleasure to have her as a student.

 

The Marilyn Brown Award for Senior Honors Scholar: Reina Proetzel

Reina has been an outstanding student throughout her time at Tulane. Her honors thesis, “The AIDS Epidemic in the United States: The Artistic Response,” examines three artworks created in response to the AIDS epidemic in the 1980s and 1990 within the contexts of politics and postmodern theory. Reina is a brilliant writer, and her sensitive exploration of these historic issues surrounding the AIDS crisis retains a human dimension while deftly pointing to similar, contemporary issues surrounding the epidemic of Covid 19.

 

 

 

Studio Art Student Art Awards

The Newcomb Art Department is pleased to announce the recipients of the 2021 Studio Art Awards.

The Class of 1914 Prize in Art: Eden Weinstein

The first thing that struck me about Eden was her positive attitude and her willingness to think outside the box. Eden was willing not only to finish the task at hand, but to create something with quality and distinction.  She took constructive criticism well and was also willing to take the time to give a thoughtful critique of the work of others. I was constantly impressed with her ability to think and produce with a perspective both interesting and different from those around her. I feel assured that the qualities which caused her to thrive in the Tulane Art Department will be invaluable for her future endeavors.  On another note, I would like to add that I feel it important to reference her personal qualities along with her academic qualifications.  All in all, Eden is a unique individual with an extraordinary capacity to rise to any challenge handed to her.

            

The Alberta “Rusty” Collier Memorial Award in 2D Art: Elana Bush

During her tenure at Tulane, Elana has been a fixture in the photography area. Elana is a powerhouse. She is incredibly smart, makes beautiful photographs, and works incredibly hard. Additionally, the bar Elana sets for herself is exceptionally high and inspires everyone around her to be better and work harder to create. On top of all of that, she is generous. She is always willing to help her peers with a shoot or sit down to talk about their ideas. During her tenure at Tulane, she has become tremendously skilled in both digital and traditional practices and used these skills to explore ideas around queerness, digital spaces, censorship, and isolation. Her BFA show, Crescent, is poignant and visually lush. For Crescent, she documented the empty poetic spaces of New Orleans with her medium format camera and shifted the colors to create dreamy images of New Orleans shabby chic spaces. The images beautifully capture her love of New Orleans and the quiet beauty of our beloved city empty. Elana Bush has a bright future ahead.  

The Alberta “Rusty” Collier Memorial Award in 3D Art: Leo Fine

Leo is a dedicated, hard-working and creative artist.  He uses clear glass optics and traditional glass working techniques to create sculptures that represent both prehistoric and modern lifeforms and show the biological mechanisms that connect life together.  Leo sees sculpting natural forms in clear glass akin to sculpting in light.  Leo’s work challenges us to think differently, and he is most deserving of the Alberta “Rusty” Collier award.

The Sandra “Sandy” Chism Memorial Award in Painting: Murell Levine

The Tulane Painting Department would like to acknowledge Murell Levine for her exceptional commitment to painting. For Murell, the relationship between painting and life seem inseparable, partly due to the amount of time she spends in studio; but one also gets the sense that she carries that curiosity and excitement from the studio into the outside world as well. We have enjoyed watching her paintings evolve into a body of work so informed, yet personal. We are excited to select Murell for this year’s Sandy Chism award and look forward to seeing her paintings continue to develop.  

The Senior Honors Scholar in Studio Art: Jimena Padilla Pineda

Jimena joined the photo area in her junior year and landed directly on her feet. After just one semester, she successfully applied to receive her BFA in studio art, and immediately she was a force in photography. She has spent the past two years honing her craft both in film and digital photography and using her skills to intelligently think through image-making. Her BFA show, Conversations with Gen Z, combines portrait sessions with interviews, found imagery, and scans beautifully composited together to create poignant portraits of her gen-z peers. Her BFA show is supported by a beautifully written honors thesis that smartly outlines and examines ideas around generational identity, zeroing in on the gen-z generation in the time of covid. Jimena has proven to be an intelligent, critical, visually literate, and culturally aware image-maker.  

Juanita Gonzales Memorial Award in Ceramics: Kay So 

Kay So has distinguished herself as a young ceramic artist of particular skill, invention and energy. Kay’s exceptional work is complemented by her dedication to learning about all aspects of the clay studio. She is devoted to developing a detailed understanding of the chemistry of materials used in her work as well as the contemporary discourse of the ceramic art field. Kay demonstrates a deep curiosity about the potentials of the ceramic art medium and the initiative to test and explore the possibilities on her own. Definitely a strong presence in the clay studio, Her work is characterized by a clarity of shape and form, and a rich use of glaze surfaces.

Nell Pomeroy O’Brien Award for a Sophomore in Studio Art: Zachary St. Pierre 

The Newcomb Art Department would like to acknowledge Zachary St. Pierre for his exceptional work in Painting and Drawing. Last year Zachary demonstrated outstanding rendering abilities in his introductory courses. His interest and knack for form, color, and mark-making has developed into a series of optically complex and exquisite landscape paintings. We are excited to see what comes about in this nascent stage of his work and commend his hard work and enthusiasm. 

Alexis Culotta awarded NEH summer stipend grant

Alexis Culotta, Professor of Practice in Art History, was awarded a grant from the National Endowment for the Humanities for her project, Fare la Bella Figura: Mapping and Documenting the Vanishing Tradition of the Roman Frescoed Façade. The funding will support archival research and fieldwork to document sixteenth-century frescoed façades in Rome leading to the creation of an online database and article.