Garrard Lecture: Curator Talk by Thomas J. Lax

Please join the Newcomb Art Department for a Curator Talk by Thomas J. Lax, Curator of Media and Performance at the Museum of Modern Art. 

Thomas J. Lax is Curator of Media and Performance at MoMA (NY) where he is currently preparing the exhibition Just Above Midtown: 1974 to the Present with Linda Goode Bryant. He was the inaugural recipient of the Cisneros Research Grant, traveling to Brazil to meet artists and curators engaged in creating semi-autonomous spaces devoted to contemporary Black art. He also worked with colleagues across MoMA on a major rehang of the museum’s collection and organized Unfinished Conversations centered around John Akomfrah’s video portrait of the cultural theorist Stuart Hall. Previously, he worked at the Studio Museum in Harlem for seven years.

Thomas is on the boards of Danspace Project and the Jerome Foundation and teaches at Wesleyan University’s Institute for Curatorial Practice in Performance. A native New Yorker, he is on the advisory committees of local and diasporic organizations including Contemporary And, The Laundromat Project, Participant Inc., and Recess Assembly.  

Garrard Lecture: Curator Talk by Thomas J. Lax, Museum of Modern Art
Thursday, February 5, 6pm CST, Online
Zoom link: bit.ly/thomaslax

This event is supported by the Sandra Garrard Memorial Fund. 

Simmons Lecture in Art History - Acts of Translation: Black Artists and "The Song of Hiawatha"

 

2021 Terry K. Simmons Lecture in Art History

Acts of Translation: Black Artists and "The Song of Hiawatha"
Anna Arabindan-Kesson
Assistant Professor of Art and Archaeology & African American Studies, Princeton University

Tuesday, February 2, 7:30 pm via Zoom

An epic in its time, “The Song of Hiawatha” by Henry W. Longfellow had a long afterlife in visual art. This paper focuses on the work of Robert S. Duncanson, Robert Douglass, Jr., and Edmonia Lewis, three artists who included representations of Native Americans in their artistic production. Thinking of these works as sites of convergence, Dr. Arabindan-Kesson examines their intermediality - the ways these artists translated poetry into paint and marble - in their depiction of colonial encounters. In working through their acts of translation, she wants to ask how these artists negotiate acts of reading and looking and what their representations – troubling as they might appear to us now – reveal about constructions of freedom in the United States, not in relation to the state, but as it could be envisaged in cross-cultural encounters between African Americans and Native Americans in the pre- and post-Civil War years.

Zoom Link: https://tulane.zoom.us/j/95500128526?pwd=cC9BWGhFZ0NLczB6TUMxM3pzOEdZUT09
Password: ART

This lecture is part of a year-long series Representation and Resistance: Scholarship Centering Race in Western Art organized by Mia L. Bagneris and Michelle Foa of the Newcomb Art Department and co-sponsored by the Africana Studies Program.