Thursday, May 9, 2019

Workhouse Arts Center Presents Jeremy Jernegan 'Dwell'

Dwell is a solo exhibition opening on May 1, through June 2, 2019 at Gallery W-8, Workhouse Arts Center in Lorton, VA of work by ceramic sculptor and Tulane University Professor of Art Jeremy Jernegan. The exhibition features a new body of ceramic and stainless steel wall sculptures that address climate change and its effects on oceans and waterways, that Jernegan produced during his residency at the Workhouse over the past 9 months.
Dwell explores our experiences inhabiting a world undergoing cataclysmic climate change and our difficulty grasping the enormous scale and consequences of our plight.  In these new works, Jernegan’s longstanding interest in water imagery and in the amorphousness of marine environments as metaphors for uncertainty and disorientation becomes a meditation on the profound upheaval that will be brought by a radically altered climate environment.
These are technically complex, multi-media works, consisting of large, geometric ceramic tiles made as ceramic mono-prints and enclosed in stainless steel frames.  Incorporating a range of detailed imagery drawn from maritime contexts, these works suggest a sense of physical precarity and transformation through their large scale, unconventional combinations of materials, and protrusion from the wall. This remarkable body of work intertwines the pictorial and the sculptural in an investigation into our relationship to and perceptions of our rapidly changing environment.

Wednesday, May 1, 2019

Student Art Awards 2019

On Thursday April 25th the Newcomb Art Department hosted its annual Student Art Awards ceremony in Stone Auditorium. Kevin H. Jones, Associate Professor of Digital Arts and Chair, presented the Studio Art Awards and Dr. Michael Plante, Associate Professor of Art History, presented the Art History Awards. Following the awards presentation, the celebration moved to the Carroll Gallery for the Bachelor of Fine Arts Exhibition reception featuring work by Elizabeth Chan, Christopher Gonzalez, Arden Kelley, Alexandra Kugler, and Jordan Tavan.

2019 Student Art Awards 

Outstanding Art History Major: Rada Kuznetsova
The Henry Stern Prize Paper in Art History: Michael Russo
The Nell Pomeroy O’Brien Award in Art History: Lou Rambeau
The Marilyn Brown Award for a Senior Honors Scholar in Art History: Sophia Buchanan
The Alberta “Rusty” Collier Memorial Award for 2D Art: Alexandra Kugler
The Alberta “Rusty” Collier Memorial Award for 3D Art: Harleigh Shaw
The Nell Pomeroy O’Brien Award in Studio Art: Abigail McDade
The Sandy Chism Award in Painting: Dominic Frost
The Class of 1914 Prize in Art: Erin "Squid" Dixon
Juanita Gonzales Prize in Ceramics: Jordan Tavan

Tuesday, April 16, 2019

MFA Open Studio Night

Tulane University Newcomb Art Department will host an MFA Open Studio Night on Tuesday, May 7th from 5 – 8pm in the Woldenberg Art Center.
First year students
Second year students

Monday, April 8, 2019

AnnieLaurie Erickson: Data & Art of the City

AnnieLaurie Erickson, Assistant Professor of Photography, is currently participating in two group exhibitions.  Data: BIG/-driven/Visualized, at Northern Illinois University Museum in Chicago is on  view through May 17, 2019. User Agreement (at left), a pigment print on habotai silk, incorporates the text from all of the Google user agreements since this practice began in 1999.  Art of the City: Postmodern to Post-Katrina, presented by The Helis Foundation, is on view at the Historic New Orleans Collection Seignouret-Brulatour Building, 520 Royal Street, from April 6, 2019 to October 6, 2019. The exhibition was curated by alumna Jan Gilbert (MFA, 1982).

Wednesday, March 27, 2019

Aaron Collier: "Knowing in Part"

Aaron Collier, Assistant Professor in the Newcomb Art Department, is closing a month-long solo exhibition entitled Knowing in Part on March 28 at Furman University in Greenville, SC.  As part of the closing reception from 6:00-7:30, he will be giving a Gallery Talk for the Furman and Greenville community. 

Collier teaches drawing and painting at Tulane. Solo exhibitions of his work have appeared at Octavia Gallery, Cole Pratt Gallery, and Staple Goods, an artist cooperative in the St. Claude Avenue Arts District. He has participated in recent group exhibitions at the Contemporary Arts Center and the Ogden Museum of Southern Art and has been featured in “New American Paintings.”

Collier’s paintings are represented in such collections as the New Orleans Museum of Art, Iberia Bank, and the Boston Medical Center. He has enjoyed artist residencies at the Ragdale Foundation, the Virginia Center for the Creative Arts, the Joan Mitchell Center in New Orleans, ISCP in Brooklyn and OAZO in Amsterdam.
 

[Aaron Collier, Without a Flower, 2019, graphite on paper, 6.5 x 4.75."]

Wednesday, March 20, 2019

Alumni News: Elliot Doughtie recieves Joan Mitchell Foundation grant

Elliot Doughtie (BA, Studio Art, Art History, '07) was named a 2018 recipient of the Joan Mitchell Foundation Painters & Sculptors Grants. The Foundation currently awards $25,000 to twenty-five artists through a nomination process. Nominators from across the country are invited to recommend artists, at any stage in their career, who are currently under-recognized for their creative achievements, and whose practice would significantly benefit from the grant.

Elliot Doughtie is a Baltimore-based artist originally from Dallas, TX. Doughtie’s current practice utilizes drawing, collage, sculpture, and installation in the service of generating new experiences that transcend existing boundaries or assumed functions. Cosmic landscapes and bathroom plumbing are used as metaphors for the body in transition in his own explorations of the fluidity of gender and sexuality.  Doughtie describes his practice, “My sculptures and installations are metaphors for how I envision my own body and the bodies of those who are, like myself, transgender. Often the sculptures, or their attached component parts, are tools that would be used specifically by a trans person to push the body to something other than its current limits.”


Elliot Doughite, Alchemy Set For A Future Body (Part 2), 2016, mixed media installation: plaster, paper clay, plastic tubing, ink, ink jet transfer, copper couplings, and found table, 48" x 60" x 30"



Wednesday, March 6, 2019

Lucia Abramovich named Associate Curator of Latin American Art

The San Antonio Museum of Art (SAMA) announced this week that it has hired Lucia Abramovich as its new Associate Curator of Latin American Art. Over her career, Ms. Abramovich has spent time working in various institutions, including the Smithsonian Institution’s National Museum of the American Indian, the Dumbarton Oaks Research Library and Collection of Harvard University, and the New Orleans Museum of Art, where she served as a curatorial fellow from 2013 to 2016. During this period, Ms. Abramovich worked with the institution’s collection of Spanish Colonial art and objects. She is expected to graduate in April of 2019 with a PhD from Tulane University, and will start her position at SAMA in June.


read more ... Glasstire {Texas visual art}  SAMA Hires Curator of Latin American Art