Wednesday, May 18, 2016

Erin McCutcheon awarded a Woodrow Wilson Dissertation Fellowship


Erin McCutcheon, PhD candidate in Art History/Latin American Studies has been awarded a Woodrow Wilson Dissertation Fellowship in Women’s StudiesThe fellowship supports the final year of dissertation writing for PhD candidates in the humanities and social sciences whose work addresses women’s and gendered issues in interdisciplinary and original ways. 
Ms. McCutcheon talks about the points of personal passion that have sustained her research:
I began my academic career at the age of 18 with aspirations of becoming a painter. Fortunately, I quickly realized I wasn’t going to hack it in that profession, yet my love for art endured. I had always been interested in art made by women, and was struck that in all of my undergraduate courses, women, and especially those from outside a Euro-American center, were absent from our discussions. Where they were included, their work was treated one-dimensionally, usually in terms of biographical details, and not given the critical analysis afforded to their male contemporaries. During this same time, I was in the middle of my own discovery of feminist theory, which gave me the vocabulary I desperately needed to voice my frustrations. I resolved to devote myself to not simply unearthing the histories of forgotten or overlooked women artists, but to forging new strategies of representation that might disrupt the structures and processes that kept these marginal histories from view.
To my amazement, roughly 15 years after beginning my academic journey, I remain on the same path. Not enough seems to have changed; however, it is encouraging to see more projects under way that resist repeating the mistakes of art history. Most recently, I was a part of one such project: the first retrospective exhibition of an artist at the center of my dissertation research, Mónica Mayer. The exhibition’s format resisted traditional tropes and mechanisms that have historically worked to exclude women artists, and instead functions as a “retrocollective.” This simple shift more accurately reflects Mayer’s own commitment to the feminist movement and numerous collaborations over the course of her career. The exhibition, “Si tiene dudas… pregunte: Una exposición retrocolectiva de Mónica Mayer” will run through July 2016 at the Museo Universitario de Arte Contemporáneo in Mexico City – a great reason to take a trip to Mexico this year!
Ms. McCutcheon’s dissertation title is Strategic Dispositions: Women, Art and Tradition in Mexico, 1975–1990.

Wednesday, April 27, 2016

2016 Student Art Awards


On Friday April 22nd the Newcomb Art Department hosted its annual Student Art Awards ceremony in Stone Auditorium. Dr. Michael Plante, Associate Professor of Art History, presented the Art History Awards and Kevin H. Jones, Associate Professor and Associate Chair, presented the Studio Art Awards.  Following the awards presentation, the celebration moved to the Carroll Gallery for the Bachelor of Fine Arts Exhibition reception featuring work by Abigail Ditesheim, Emily "Ixi" Johnson, Dakota Moe, Ann Mullin, and Darrell Schwartz. 

2016 Student Art Awards

Henry Stern Prize Paper in Art History: Dana Lynch, “Jasper Johns’ Racing Thoughts

Outstanding Art History Major: James Newton

Nell Pomeroy O’Brien Award for a Sophomore or Junior in Art History: Nicholas Hunter Gleber

Senior Honors Scholar: Victoria Barry

Alberta “Rusty” Collier Award for Outstanding Studio Art Majors in 2-Dimensional Work: Darrell Schwartz

Alberta “Rusty” Collier Award for Outstanding Studio Art Majors in 3-Dimensional Work: Claire Beauchamp

Juanita Gonzales Prize in Ceramics: Liam Trainor

Nell Pomeroy O’Brien Award for a Sophomore or Junior in Studio Art: Lilith Winkler-Schor

Sandy Chism Memorial Award in Painting: Abigail Ditesheim

Class of 1914 Prize in Art - Drawing: Emily “Ixi” Johnson

The Abigail Frank Gerrity Award for Public Service in the Studio Arts: Yu Zou

[Photo left-right: Liam Trainor, Nicholas Hunter Gleber, Lilith Winkler-Schor, Claire Beauchamp. Victoria Barry, James Newton, Dana Lynch, Emily “Ixi” Johnson, Darrell Schwartz, Abigail Ditesheim, Yu Zou]



Thursday, April 14, 2016

Two Tulane Artists in Bullseye Glass Biennial

Christopher Gray (MFA candidate 2017) and Jeffrey Stenbom (MFA 2015) have been named finalists in Bullseye Glass' ninth biennial exhibition Emerge/Evolve 2016. The award ceremony for this international juried competition will take place on June 25 at the exhibition's opening reception at Bullseye Projects in Portland, Oregon. Shown: Christopher Gray, Meander White (L);  Jeffrey Stenbom, To Those Who Have (R).

Tuesday, April 5, 2016

Second Saturday Shows

On Saturday April 9 The Front and Staple Goods galleries will be hosting opening receptions for exhibitions of work by Tulane University faculty and recent alumni.

The Front, 4100 St. Claude, opening reception April 9, 6-10pm

Dan AlleyPerspective Perception 
Weston Lambert, Caves of Ziran 

Patch SomervilleX 


Staple Goods, 1340 St. Roch, opening reception April 9, 6-9pm


William DePauw, Limited Space


[Weston Lambert, Untitled, Black glass and pyrite, 3 x 3 x 2”, 2016]

Monday, March 7, 2016

Andrew Ladis Trecento Conference

The Newcomb Art Department is pleased to announce that the inaugural Andrew Ladis Trecento Conference will be held at Tulane University on November 10-13, 2016.

In the spirit of the tradition forged by the late Andrew Ladis and his colleagues at the University of Georgia, an international congress of Trecento specialists will congregate in New Orleans to share their research formally and informally. Scholars of all ages and stages will present specific art historical problems, issues, and ideas that focus on the arts of Italy during “the long fourteenth century” (late Dugento through early Quattrocento).

The keynote speaker at the Tulane conference will be Marvin Trachtenberg, Edith Kitzmiller Professor of the History of Fine Arts at the Institute of Fine Arts, New York University. Thanks to the generous support of the Kress Foundation and other benefactors, we will not be charging any registration fees for this conference. Participants will be responsible for securing their own transportation and lodgings. More information, including options for lodgings, will be posted soon on the Tulane conference webpage as well as on FacebookConference registration will be on Eventbrite beginning May 1.
This will be the inaugural Andrew Ladis Memorial Trecento Conference and we are very excited! The plan is for the conference to be held every other year, with a new venue and host institution each time. The 2nd conference will be hosted by the University of Houston in Houston, TX, in Fall 2018.

AnnieLaurie Erickson at the Society for Photographic Education

On Saturday, March 12 Assistant Professor AnnieLaurie Erickson will be speaking at the National Society for Photographic Education conference in Las Vegas in a panel discussion titled: "An Uncertain Present: A Conversation on Emergent Practices in Contemporary Photography." 
Also on March 12 is the closing reception for Prof. Erickson's exhibition Data Shadows a photographic investigation into the physical apparatus of the Internet and digital surveillance. The show has been on display at Box 13 in Houston since January 30. 

Tuesday, February 16, 2016

Teresa Cole exhibits new works at whitespace in Atlanta


Teresa Cole's 3rd solo exhibition, Depth of Surface at whitespace will include handmade paper works and two installations created from hand-printed and hand-dyed Japanese paper. This show contains pieces that utilize paper in two different ways. The first way is through a group of works where the imagery and handmade papers are created at the same time. These works were produced at Dieu Donne´ Paper Mill in New York City where different colored pulps are meshed together to create both image and structure. The second way of working pushes the paper to become structural. This is manifested in installations that use Washi or Japanese paper by printing on each sheet then folding and dying  and finally forming the sheets into their own surface.  All the works employ patterned imagery as a grammar, a dialect, a language of desire.

Opening Reception: Friday, February 19th | 7 - 10 pm
Exhibition Dates: February 19th - March 26th, 2016