Traditional art historical studies that focus exclusively on fully intact or “museum quality” artworks distort our understanding of fraught periods of history, and particularly rebellions and uprisings, due to severe censorship campaigns in their aftermath that sought to restore colonial order through targeted iconoclasm. This presentation offers new insights for writing about art’s entanglement with political violence, underscoring the gains that can be made through interdisciplinary methodologies for recovering Indigenous and Afro-Indigenous artists and subjects that have been erased from the official archive.
This talk is part of the year-long "Representation and Resistance: Scholarship Centering Race in Western Art" lecture series organised by the Newcomb Art Department and co-sponsored by the Africana Studies Program. Dr. Cohen-Aponte's lecture is also co-sponsored by the Stone Center for Latin American Studies and is the 2020 Terry K. Simmons Lecture in Art History for this year.
Zoom meeting info: https://tulane.zoom.us/j/98937431062
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