International Student Online Exhibition.
In his artist statement Gray describes the sculpture's intellectual and formal inspiration.
Labyrinths can be perplexing and enlightening at the same time. One can be constructed as if to disorient, and another to be used as a meditation device. Both have a common design yet carry an extreme polarity and duality within their uses.
The Carroll Gallery will host Gray's MFA Thesis Exhibition next month.
At left: Christopher Gray, Meander White, 2016, kilnformed glass, 12.5 x 5.5 x 2.5 in.