"Absurd Thinking" a solo exhibition of new work by digital arts professor Kevin H. Jones, was on view June and July at Art Lab Akiba in Tokyo, Japan.
Kevin H. Jones' new body of work presents the
viewer with a constellation of images from popular culture, and digital
processes, to iconic childhood memories. In his latest exhibition,
Absurd Thinking, Jones creates visually and physically layered digital
prints that conceptually oscillate between meaning and nonsense.
Building upon his past inquiry into our attempts to understand the
natural world, the construct of charts and diagrams also traverses this
new work. What is different is that Jones reveals his process by using
calibration graphics related to the process of printing and by showing
computer operating system floating menus.
The result of these
choreographed juxtapositions seen in his digital prints and videos feels
like one is flipping through channels on a TV or moving past the static
of a radio dial as images coalesce and momentarily make sense.
For
example in the work, Mixed Metaphor, a portrait of Frankenstein sits in
a computer's operating system’s popup window surrounded by color and
grayscale gradients. The portrait has been pierced with holes revealing
the star chart layered underneath. A pixelated bird is perched to the
left of Frankenstein. Amongst the organization of seemingly abstract
ideas, one may wonder about the relationship of the bird with the
monster.
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.